Sunday, February 01, 2009

One-second movie reviews

(because I am lazy)

Doubt
(Dir: John Patrick Shanley)

Meryl Streep once again takes a chance! Meryl Streep once again misfires!
Instead of reprising the Anna Wintour-whisper she used in Prada, this time she goes in the opposite direction: using some kind of flat, Brooklyn housewife-accent to portray the nun at the center of Doubt. It doesn't help the movie or her co-stars, who all acquit themselves nicely, as if they had to act around her. Shanley's attempts to expand his play beyond the stage are transparent and ineffective.

Slumdog Millionaire
(Dir: Danny Boyle)


The soundtrack is the best thing in this movie, but trust me, Score, Song and Cinematography are the only Oscars this movie deserves. (I'll give it film editing, too). The screenplay is laughable. I've never liked how Danny Boyle portrays children (remember that awful movie "Millions"?) Subtlety is not in his vocabulary. Here again the kids are lying, cheating, thieving little rapscallions. (but oh so loveable--yeah, right!) And the Mumbai police have no greater crimes to deal with than cheating game-show contestants? Bad timing.

The Curious Case of Benjamin Button
(Dir: David Fincher)


Forget Forrest Gump (the movie this Eric Roth-penned marathon is most often compared to): this movie reminds me more of Titanic. First and foremost, the movie is anchored by a horribly aged old lady (the unrecognizable Cate Blanchett). Under all that make-up, though, Cate can still act. (That old lady in Titanic could neither act, nor wash off the age spots). Like Titanic, the movie is a triumph of production values, yet it is always teetering on the edge of sinking under a woefully inadequate script. Fincher may not be 'King of the World,' but he still can dazzle with some amazing set pieces. The Make-up, visual effects, and Sound Mixing are top-notch, Academy voters.

3 comments:

  1. Agree 100% with your assessment of Doubt. Hate to sound like a snot, but if you saw Cherry Jones on stage (and I know you did, foreignfilmguy), the movie can't compare. Nicely shot, but overdone, and the script just got flabby. Oddly, though, the movie leaves OUT a rather critical scene between the nuns, then leaves in the echo of that scene ... which of course makes no sense! No Oscars for editing for this one. Really, why do you even pay attention to the Stupid Oscars? They are going to reward Benjamin Button or Slumdog, mark my words. I suppose, as a movie reviewer, you have to comment on the noms, etc., but surely even you have given up on the Academy as a bunch of stuffy heterosexist publicity-starved slaves to popular sentiment? I know I have.

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  2. I knew you'd appreciate my dobuts about Doubt! Why did JPS even bother adding those scenes with the kids? Alas, I did not see the original Broadway production. That's why I cannot comment on whether PSH was miscast as the priest. Viola Davis was perfectly cast, though!

    I'll never give up on the OSCARS! It's a Palmer-family tradition!

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  3. Aha! they aren't stuffy homosexists after all! According to Sean Penn, they are homo-loving Commies! Does that restore your faith in the Oscars??

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